Accords

2008

Accords is a choreographic composition that one experiences like a musical arrangement. The dancers “graft” themselves onto musical pieces, playing their bodies like instruments, and rendering the music “visible” through a complex network of individual and supra-individual actions and reactions. The dynamics, harmonies, melodies, and counterpoints, and even the sensual experience of musical interpretation are translated, amplified, or redirected through the body. The audience might think that they are watching choreography set to music. Nevertheless, the process of creating movement – improvised – proves here to be radically different. It’s a “democratic” process based on individual freedom and fixed attention to the other. A process that aims to achieve a choreographic complexity that far surpasses that of a set work. Thomas Hauert chooses to rely on the intuitive intelligence of the body and the group.

ZOO’s choreographic work is based on fundamental research into movement. Prompted by Thomas Hauert, the dancers set about leaving behind their bodily habits and, in a spirit of playful research, exploring the greatest possible variety of forms, rhythms, qualities and interactions with space and external forces.

One of the main methods used to open up possibilities of movement is improvisation. It is conceived of as a means of unleashing the body’s potential from limitations imposed by the mind. It is not completely free improvisation, because a body without constraints would gravitate towards its habitual paths. In contrast, directed improvisation is improvisation where tasks, rules and forces are imposed to upset these habits. Improvisation allows complex movements to be carried out involving so many factors that it would be impossible to repeat them or write them down.

It is not just about deconstructing or breaking down forms and codes, but rather about returning to the body’s most basic state and beginning there, taking anatomy as a starting point. After being temporarily divorced from their customary movement routines, ZOO’s dancers endeavour to incorporate principles of direction. The principles are practised time and again, so that all possibilities and subtleties can be derived. In this way, a new virtuosity is achieved.

Beyond the level of the individual, ZOO is also developing group work on the “body” composed of all the dancers – a kind of “social body”. If exploring the individual body aims to express diversity, group work strives for cohesion, communication and connection. Thomas Hauert coordinates the dancers’ bodies through different modes of organising time and space. As ZOO has evolved, these principles have become increasingly flexible and reactive, favouring an order guaranteed by the trust each dancer has in the others, rather than by the choreographer’s authority.

Concept and direction Thomas Hauert
Dance created and presented by Thomas Hauert, Martin Kilvady, Sara Ludi, Chrysa Parkinson, Zoë Poluch, Mat Voorter and Samantha van Wissen
Lighting and set design Jan Van Gijsel
Sound design and original music Peter Van Hoesen
Music Vicente Amigo, El Mandaito (Bulerias) ; Roland Moser, Kabinett mit Vierteltönen: Noch ein perpetuum mobile ; Knut Nystedt, Immortal Bach ; Sergej Rachmaninov, Prelude Op. 23, No. 10 in G Flat & Piano Sonata No. 2 in B Flat Minor ; Maurice Ravel, La Valse ; Jean C. Roché, Dawn Chorus At Bialowieja Forest, Concert de crapauds & Concerts de la nuit: Concerts des loups en forêt canadienne ; Erik Satie, Première Gymnopédie ; Dick Van Der Harst, Drama & De Breton ; Stefan Wolpe, Marsch
Costumes OWN
Production ZOO/Thomas Hauert
Co-production Kunstenfestivaldesarts, Brussels / Kaaitheater, Brussels / PACT Zollverein, Essen / Festival Alkantara, Lisbon / Mercat de les Flors, Barcelona
With the support of Flemish Government / Vlaamse Gemeenschapscommissie / Pro Helvetia – Swiss Arts Council / Ein Kulturengagement Lotteriefonds Kanton Solothurn
Thanks to Charleroi Danses

Project co-produced by NXTSTP, with the support of the Culture Programme of the European Union

listen to France Culture, Ecritures musicale et chorégraphique: croisements, transformations, créations

26 November 2015
25 November 2015
21 March 2014
03 November 2012
Les Brigittines Brussels (BE)
02 November 2012
Les Brigittines Brussels (BE)
03 June 2012
02 June 2012
17 March 2011
30 January 2011
Kaaitheater Brussels (BE)
29 January 2011
Kaaitheater Brussels (BE)
04 December 2010
11 November 2010
05 May 2010
30 April 2010
18 April 2010
17 April 2010
16 April 2010
14 April 2010
13 April 2010
14 January 2010
Théâtre de l’Espace Besançon (FR)
13 January 2010
Théâtre de l’Espace Besançon (FR)
12 January 2010
Théâtre de l’Espace Besançon (FR)
04 December 2009
CC Berchem Berchem (BE)
24 November 2009
14 November 2009
Tanzquartier Wien Vienna (AT)
13 November 2009
Tanzquartier Wien Vienna (AT)
27 September 2009
Théâtre Sévelin 36 Lausanne (CH)
05 September 2009
27 August 2009
August DanceFestival Tallinn (EE)
23 August 2009
Tanz im August Berlin (DE)
22 August 2009
Tanz im August Berlin (DE)
04 July 2009
Julidans Amsterdam (NL)
27 June 2009
Dampfzentrale Bern (CH)
26 June 2009
Dampfzentrale Bern (CH)
24 June 2009
23 June 2009
17 March 2009
05 March 2009
STUK Leuven (BE)
04 March 2009
STUK Leuven (BE)
14 February 2009
Charleroi Danses Charleroi (BE)
13 February 2009
Charleroi Danses Charleroi (BE)
13 December 2008
12 December 2008
11 December 2008
21 November 2008
Tanz in Olten Olten (CH)
06 November 2008
Panorama Festival Rio de Janeiro (BR)
12 October 2008
Mercat de les Flors Barcelona (ES)
11 October 2008
Mercat de les Flors Barcelona (ES)
10 October 2008
Mercat de les Flors Barcelona (ES)
04 October 2008
UnterwegsTheater Heidelberg (DE)
03 October 2008
UnterwegsTheater Heidelberg (DE)
04 September 2008
03 September 2008
03 June 2008
Alkantara Festival Lisbon (PT)
02 June 2008
Alkantara Festival Lisbon (PT)
21 May 2008
20 May 2008
18 May 2008
17 May 2008
03 May 2008
PACT Zollverein Essen (DE)
02 May 2008
PACT Zollverein Essen (DE)

Accords